Vanishing Evidences.
Photographing at night in Mexico City.
by Pedro Meyer

I had just been surrounded by 15 police cars. Their red and blue lights flashed, blinking all over the landscape at 1:30 in the morning. Surrounding my car, there were no less than 80 policemen, some of them boasting heavy duty machineguns that made the “Terminator” look like, well, just a governor of California. I must say that, if it had not been quite so real, this scenario looked pretty much like something out of a bad movie. What I am about to tell must be one of the most colorful stories told in a long time, combining the crossroads from analog to digital photography, sex, accidents and a lot of unforeseen twists and turns, that will prove to be quite worthy of an end of year finale.
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