Robert Fisk: The true story of free speech in America
This systematic censorship of Middle East reality continues even in schools

Because it's really all about shutting the reality of the Middle East off from us. It's to prevent the British and American people from questioning the immoral and cruel and internationally illegal occupation of Muslim lands. And in the Land of the Free, this systematic censorship of Middle East reality continues even in the country's schools. Now the principal of a Connecticut high school has banned a play by pupils, based on the letters and words of US soldiers serving in Iraq. Entitled Voices in Conflict, Natalie Kropf, Seth Koproski, James Presson and their fellow pupils at Wilton High School compiled the reflections of soldiers and others - including a 19-year-old Wilton High graduate killed in Iraq - to create their own play. To no avail. The drama might hurt those "who had lost loved ones or who had individuals serving as we speak", proclaimed Timothy Canty, Wilton High's principal. And - my favourite line - Canty believed there was not enough rehearsal time to ensure the play would provide "a legitimate instructional experience for our students". And of course, I can quite see Mr Canty's point. Students who have produced Arthur Miller's The Crucible were told by Mr Canty - whose own war experiences, if any, have gone unrecorded - that it wasn't their place to tell audiences what soldiers were thinking. The pupils of Wilton High are now being inundated with offers to perform at other venues. Personally, I think Mr Canty may have a point. He would do much better to encourage his students to perform Shakespeare's Titus Andronicus, a drama of massive violence, torture, rape, mutilation and honour killing. It would make Iraq perfectly explicable to the good people of Connecticut. A "legitimate instructional experience" if ever there was one.

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Six Crises in Search of an Author
How the Bush Administration Destabilized the "Arc of Instability"

After September 11, 2001, but based on the sort of pre-2001 thinking you could find well represented at the neocon website Project for the New American Century, the Bush administration's top officials wrote their own drama for the arc of instability. They were, of course, the main characters in it, along with the U.S. military, some Afghan and Iraqi exiles who would play their necessary roles in the "liberation" of their countries, and a few evil ogres like Saddam Hussein. Today, not six years after they raised the curtain on what was to be their grand imperial drama, they find themselves in a dark theater with at least six crises in search of an author, all clamoring for attention – and every possibility that a seventh (not to say a seventeenth) "character" in that rowdy, still gathering, audience may soon rise to insist on a part in the horrific farce that has actually taken place.

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